Dating from around 1910 this remarkable piece is indicative of the delicacy and elegance of the Early 20th Century.

King Edward's ascension to the throne marked not only the beginning of a new century and historical era, but also the birth of the "modern" age where automobiles would become commonplace and travel and achievement could be unlimited. The desire for change and innovation marked a turning point in the way jewellery was judged and worn, favouring clean lines and uncluttered designs in contrast to the heavily embellished and more formal jewels previously worn. Jewellery became a fun fashion accessory which could be owned and worn by an increasing number of people, and the demand for this "new look" caused an explosion in the number of White Gold and Platinum pieces manufactured. The latter had only been used for Royal jewels from the mid 1800's when the technology to isolate the metal became available. By the early 20th century only affordability restricted purchase and with the availability of a less expensive alternative in the form of White Gold, these became the metals of choice for both the wealthy and fashion conscious.
With the inspiration of the Cubist Art Movement, sleek lines and geometric influences became greatly favoured. Simultaneously, increasing numbers of women were joining the workplace, thus reducing the desire for fussy, overly ornamental attire. In June 1909 "McCalls Magazine" called for more a more "mannish" look, in contrast to the exaggerated femininity which had previously been portrayed through clothing and jewellery. However this did not require a reduction in quality and elaborate filigree and engraving work continued to adorn jewels, although more delicate and less ostentatious than previous trends had produced.
Pieces of this era are increasingly sought after, in part due to their growing rarity and also as the trends of the new millennium once again favour similar ideals and designs. Reproduction is prolific, yet lacks the quality, innovation and romance of these original pieces which sprang from the dreams and ingenuity of people conversely so close and yet so far from our own era.
There can be no modern substitute for the originality, creativity and imagination of a by-gone age.